Museum Timeline
The stage was being set for the emergence of American Impressionism years before the artist Henry Ward Ranger came to visit the Griswold House in Old Lyme. As early as the 1830s, Hudson River School artists were glorifying the land and its spiritual link to humanity. In the 1850s, Ralph Waldo Emerson was writing of the sacred unity found in communion with nature. On Christmas Day, 1850, an event occurred that would be remembered for its influence on the course of American art history: In a wonderful house on the main street of Old Lyme, Connecticut, Florence Griswold was born.
   
1899
Henry Ward Ranger arrives at Florence Griswold's home attracted by a landscape "waiting to be painted." Other prominent artists follow and, together, they found the Lyme Art Colony.
1903
Child Hassam arrives, heralding a surge of interest in American Impressionism. The Second Annual Colony Exhibition includes eight female artists, students of the Lyme Summer School of Art.
1905
One of the few exceptions to the artists-only rule, Woodrow Wilson comes to stay at the Griswold House with his wife and daughters. They visit again in1908, 1909, and 1910.
1906
Willard Metcalf paints May Night, a moonlit view of the Griswold House. He offers it to Miss Florence to pay his bill. She refuses saying "It's the best thing you've ever done."
1907
The Congregational Church at Old Lyme, made famous by Lyme artists, burns to the ground. Three years later, with the help of artists and the community, the church is rebuilt.
1914
Members of the Colony form the Lyme Art Association. Four years later, Miss Florence transfers a parcel of her land to the Association.
  
1921
The Lyme Art Association Gallery opens and Miss Florence becomes its first manager.
1936
Due to failing health and deteriorating finances, Miss Florence sells the property and the house to Judge Robert McCurdy Marsh, who allows her to live in the house until her death in 1937. Within a year, her belongings are sold at auction.
1941
The Florence Griswold Association purchases the house and less that one acre of land from Judge Marsh for $5750.
1947
The Florence Griswold Museum opens, at first for summers only.
1955
The Florence Griswold Association and the Lyme Historical Society merge on the 100th anniversary of the incorporation of Old Lyme. In 1973, the name of the Association will be changed to the Lyme Historical Society.
1972
The Museum's first full-time professional director is hired. Seven years later, the Museum will hire its first full-time curator.
1974
The Marvin Huntley House and one acre of land are purchased for $75,500 and the house is renamed the Huntley-Brown House in honor of Mrs. John Crosby Brown.
1977
The Museum launches its first endowment fund.
1980
The landmark exhibition, Connecticut and American Impressionism, presents the first in-depth look at the Lyme Art Colony.
1982
In Open Air: A Portrait of the American Impressionists is filmed by the Smithsonian. Old Lyme: The American Barbizon exhibition is called by The New York Times "a considerable achivement, wide-ranging, scholarly and scrupulously fair...beautifully installed in the Florence Griswold Museum."
1986
The Museum launches The Campaign for the Florence Griswold Museum which exceeds its $1.1 million goal.
1987
Two major exhibitions, Edward F. Rook: American Impressionist and Childe Hassam in Connecticut, attract widespread critical and public acclaim.
1989
The Museum purchases an extensive collection of Thomas Nason wood engravings. Two years later the Nason family donates other works on paper and the contents of his studio.
1991
The Museum holds the first annual celebration of holiday traditions. The Lieutenant River and Lymes' Heritage Cookbook are published.
1992
The original Chadwick Studio acquired as part of the Historic Land Acquisition Campaign, is moved onto Museum property and restored for public viewing and use by contemporary artists.
1993
The Florence Griswold Museum is designated a National Historic Landmark.
1995
The Samuel Thorne Memorial Lecture Series is inaugurated. The Lieutenant River Society is launched to honor those who remember the Museum through a planned gift.
1997
The Museum acquires five key acres of the original Griswold estate. Trustees adopt a centennial master plan that extends the Museum's capacity to serve growing audiences.
1998
The Museum hosts a collection of American folk art from the National Gallery of Art in Washington, D.C., and announces The Centennial Campaign to raise $8.3 million.
1999
The Museum celebrates the centennial of the Lyme Art Colony with special exhibitions and programs, and heralds the arrival of the new century.
  
2001
The Hartford Steam Boiler and Inspection Company gives its entire holding of American art — 188 paintings and two sculptures— to the Museum. The collection showcases Connecticut's importance to American art history from the late 18th to the early 20th centuries.
2002
The Museum opens the Robert and Nancy Krieble Gallery. Overlooking the Lieutenant River, the addition provides 10,000 square feet of space for exhibitions, visitor services, and art storage.
2003
The Museum announced plans to restore The Florence Griswold House. An on-going exhibition entitled From Mansion to Museum: The Life History of a House is installed in the Griswold House to explain the forthcoming transformation.
2005
The Griswold House closes for restoration. The project includes stabilization of the exterior features of the house and upgrades to its climate controls, electrical, lighting, and fire protection systems. The refurbished interiors will capture the timeworn charm of a staid family home turned into a boisterous communal living space.
  
2006
After 14 months of restoration, the Florence Griswold House reopens as a country retreat for artists. The $2.5 million project preserves the National Historic Landmark and allows visitors to fully immerse themselves in the culture and daily life of an American art colony unlike anywhere else in this country. The House and surroundings are accurately furnished to its appearance circa 1910, when the colony was the center of Impressionism in America.
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